Blue Mountains Library and Blue Mountains Cultural Centre are pleased to showcase this fun collection of original artworks presented by WestWords and the Sydney Writers’ Festival.
As part of the Sydney Writers Children’s Festival of Moving Stories, WestWords and the SWF present an exhibition of a selection of works by renowned contemporary Australian children’s illustrators. Featuring Andrew Joyner (from Too Many Elephants In This House, The Swap), Tony Flowers (including works from Saurus St), Cheryl Orsini (including Pom Pom, Where Are You?), Judith Rossell Wormwood Mire (the follow-on novel after Withering-By-Sea), Shaun Tan (from Tales From Suburbia), Chris Nixon (from Meet Captain Cook) and Liz Anneli (from Howzat).
On display at the Blue Mountains Cultural Centre Seminar Room. Entry is free.
A WestWords touring exhibition presented by Blue Mountains Library and Blue Mountains Cultural Centre
16 September – 21 October
10:30am – 12:30pm
$210 / $195 Insight Members
Bookings essential at reception or by calling 4780-5410
This 6 week photography course is designed to help individuals hone their creative vision to produce better images while also getting the most from their digital camera. With a focus on nature-based photography, the techniques learned can generally be applied to portraiture, travel and photojournalism. Key areas explored in this course include: Camera craft – focus on creative control, understanding photographic equipment and techniques, image processing, editing and printing, and publishing, review and exhibition. This course is for anyone with an interest in photography, no prior experience is needed, however basic computer skills are assumed. Students are required to bring their own cameras. A digital camera capable of manual settings and at least 8 megapixel resolution is encouraged and DSLR’s are recommended, a tripod and laptop is also recommended. David Brazil is a photographic artist and educator based in the Blue Mountains. David has extensive experience working commercially as an event photographer and has exhibited locally and as part of the HeadOn Photo Festival.
14 October – 3 December
Drawn from the British Council Collection, the exhibition presents four major suites of artists’ prints produced by David Hockney from 1961–1977. United by their reference to historical works of literature and art, these prints were produced during the first two decades of Hockney’s career when he established his international reputation as a Pop artist.
A selection of Hockney’s more personal works from the private collection of his brother John Hockney will accompany the exhibition.
Blue Mountains City Art Gallery is proud to present this major international exhibition in partnership with Tweed Regional Gallery. The exhibition will premiere at Tweed before travelling on to Katoomba.
A touring exhibition by the British Council, presented at Blue Mountains City Art Gallery in partnership with Tweed Regional Gallery
Image from: David Hockney: Words and Pictures
DAVID HOCKNEY The Old Guitarist from “The Blue Guitar” 1976 – 1977, etching, edition of 200, 52.5 x 45.7 cm © David Hockney
John Hockney Floor Talk
Saturday 14 October, 11am – 1pm
FREE with Gallery admission ticket
Come along to hear John Hockney, David Hockney’s brother and Blue Mountains local, share insights on the exhibition as well as personal stories from his recollections of David’s life. RSVP appreciated at Reception or 47805410.
DAVID HOCKNEY 4 Blue Stools 2014, photographic drawing printed on paper, mounted on Dibond, edition of 25, 107.9 x 176 cm. From the collection of John and Helen Hockney. © David Hockney.
Photo by: Richard Schmidt
11 October – 29 November
10:30am – 1pm
$310 / $290 Insight Members
Bookings essential at reception or by calling 47805410
This workshop will focus on a fresh and bold approach to observational painting and drawing. Tim will demonstrate a range of techniques in ink, mixed media, acrylic and oil painting, offering new skills and ideas for both beginners and experienced students. An understanding of mark-making and layering techniques in each of these media will then help the students respond creatively to a range of observational subjects; these will include still life, interiors and landscape. There will be also plenty of individual feedback as students develop their own unique approaches and styles.
Tim Allen has been exhibiting his work professionally for over 20 years. He has been a finalist multiple times in many of Australia’s leading art prizes, including the Wynne Prize, the Dobell Prize, the Kedumba Drawing Award and many others. In 2014 his work was featured in Artist Profile magazine. He exhibits with Defiance Gallery in Sydney and NockArt Gallery in Hong Kong. Tim is also a very enthusiastic teacher, having taught for many years at TAFE and at art workshops around Australia. Tim lives and works in the Blue Mountains.
For this exhibition Julie Harris combines recent abstract paintings and sculptural pieces all referencing the same motif: the strip or ribbon. Harris has intuitively incorporated this linear element in ever increasing ways over the last three years, layering it onto a more organic ground. The motif signifies her immediate environment in its most basic form – whether vertical or horizontal the strips describe features such as: her studio louvre window, musical scores, birdsong, garden elements and the weather. This motif also references Harris’ process of stripping back any recognisable imagery or formalist structure from the canvas and allowing the paint residue to create the final work.
Harris is influenced by the Japanese aesthetic concept of Wabi-sabi which looks at the beauty of imperfection and impermanence especially with regard to the natural world. With this in mind she paints intuitively allowing her physical surrounds to flavour the work: she is directly influenced by the seasons, her studio, the music she chooses and sounds from outside. Harris has a long history of non-intentional painting, she allows the substance of the work to reveal itself without a predetermined outcome in mind. The colours and texture of the paint find their own form, in this way her paintings are a collaboration with the natural environment.
A Blue Mountains City Art Gallery exhibition curated by Rilka Oakley
JULIE HARRIS TSS #4 (Blue Pentaptych) (detail) 2016-2017, acrylic on polyester, 80 x 900 cm. Photo by Asia Upward.
19 August – 8 October
Leahlani Johnson’s However late it may seem is an exhibition of new, site specific installation work that combines ceramics, painting, plant material and moving image to investigate the paradoxical nature of time.
Johnson juxtaposes various mediums within her installations to reveal the opposing durational qualities of stillness, temporality and flux. She explores different forms of timekeeping, with the ceramic elements revealing gestures of everyday objects within a static form; the moving images convey a sense of compressed time; and the plant works, created through a labour intensive process, will change with time and alter colour, shape and texture. The combination of these diverse mediums allow time to be re-imagined from a linear formation into a more malleable substance.
LEAHLANI JOHNSON Petal work 2015, paper daisy petals, dimensions variable. Image Zan Wimberley
Saturday 2 September
10:30am – 1pm
$75 – $70 Insight Members
Bookings at Reception or by calling 4780 5410
Working with a variety of seasonal flowers the workshop will introduce participants to several approaches of working with the living material. Some of the techniques covered in the workshop will include flower pressing, basics of floral arranging, installation methods and discussion surrounding the historical context of the flower within art practice.
Leahlani Johnson completed a Master of Fine Arts at UNSW Art & Design in 2015 is a trained and experienced floral designer and educator, who employs living plant material in her art practice.
Blue Mountains Cultural Centre Seminar Room
Susan Bell – Aranawan
Nicole Boorudoo Parsons – Yuin
Kristine King – Wiradjuri
Annette Lavender – Bundjalung
Teekee Marloo – Palawa
Pippa Smith – Wiradjuri
Leanne TobinShay Tobin – Darug
Dianne Ussher – Darug (Burramadigal)
Anthony Vale – Darug (Buruberonga)
Uncle Ed Walker – Dharawal
This exhibition consists of a collection of artworks by Aboriginal students involved in a TAFE Outreach course called Dambu-Waa Ngurra: Painting the Country, facilitated by established artist and teacher Leanne Tobin.
The course allows Aboriginal community members of any age to learn painting skills and strengthen their connection with their own Aboriginal identity while simultaneously learning about country – the country where their people come from and their connection to where they live now; the Blue Mountains.
Many of the participants of this class, through circumstances beyond their control, have been disconnected from their traditional families and communities often as a result of trans-generational trauma and/ or government intervention. Several have been adopted, others went through foster care, were made a ward of the state or brought up on a mission. Some have never painted before while others have been painting for many years and have utilised this class to explore other aspects and techniques to add to their art practice.
Dambu-Waa Ngurra: Painting the Country has become in a sense, a way to deal with the past; a vehicle for sharing and learning. Many of the classes involve informal discussions about cultural matters and through research and sharing, the students explore and discover more about who they are and where they’re from.
The students bring with them their own cultural knowledge and stories. It is a class filled with laughter, comradery and courage. Sad stories are shared and the burden is lessened with each retelling. All students come with their areas of expertise and all are happy to share what they know.
These paintings continue the age-old cultural practice of sharing stories. The artists included in this exhibition graciously allow others a glimpse into their own personal journeys.
Blue Mountains Cultural Centre and the artists acknowledge that the City of the Blue Mountains is located on the traditional lands of the Darug and Gundungurra peoples.
A NAIDOC Week exhibition
IMAGE: LEANNE TOBIN One Sister Sleeping 2017, acrylic paint on canvas
Saturday 5 August
10am – 3pm
$150 / $145 Insight Members
Bookings at Reception or by calling 4780-5410
In conjunction with the National Photographic Portrait Prize 2017, the Blue Mountains Cultural Centre will be holding a one day, hands on, digital photography workshop. This workshop is for beginners and photography enthusiasts that are looking for inspiration and knowledge to deepen their connection to photographic practice. This is a practical workshop with an emphasis on doing; trying new techniques and experimenting with different approaches to subjects. Over the course of the day all participants will have a chance to try their hand at 3 practical demonstrations. Participants will need a digital camera, preferably a digital SLR with interchangeable lenses, but any camera will do. If you have a tripod, please bring it along.
David Brazil is a photographic artist and educator based in the Blue Mountains. His work has been exhibited at the Blue Mountains Cultural Centre in 2013-2014 and he also exhibited as part of the HeadOn photo festival for the past 4 years.
Flower Art Sessions
10:30am – 2pm
For more information please call 4780 5410
WOULD YOU LIKE TO CONTRIBUTE TO A MAJOR INSTALLATION BY LOCAL ARTIST, LEAHLANI JOHNSON?
Over the next four weeks we’ll be welcoming any and all people that would like to contribute to Leahlani Johnson’s major flower based installation which will be displayed at the Blue Mountains Cultural Centre, City Art Gallery from mid-August as part of Leahlani’s Expose Exhibition. Whether you can donate 10mins or 2hrs of your time we’d love your contribution.
Unfortunately due to the delicate nature of the work this task is not suitable for children 15 years and under.